"Light your knife on fire."
"Punch 'em in the throat."
"Meme is meme."
"Oh fiddlesticks!" - Orange Kid
"Fresh Kicks!"
"Dope d-dope boy d-dope boy fresh."
"Eat something, ya little bastards!"
"Greg!"
"Light the candle!"
3 hour Uno Game
Fat Ian is not named Ian.
"I make it rain."
"New Jersey Payphone?"
The Stranger
"Get up the fucking wall."
"Sam, Connor, take off your pants."
"Little Turtle!"
"TANK KOMMANDER!"
"HAKIIIIIIIIIIIIIIIIIIIIIIIIM!!!!!!!!"
Indiana Jones Theme
Bagpipes
"BOOM!"
"Akki Rockerspeaker, Akki Rockspeaker, Akki Rockspeaker, Akki Avalancher."
Clerics vs. Goblins
Goblin Mountaineer
Piss in a bottle
Mystic Tree
"Where haven't you taken a shit yet?"
"The toilet is right there; couldn't you take 5 more fucking steps?!"
Dead Babies
"DJ's Nuclear Ass"
"Kiki-Jiki?"
The Stump/Ghetto Shovel
"We're not afraid of thunder!"
------------------------
And this concludes my scouting career. Good grief.
Listen, I'll admit, I'm late as all hell, but I finally picked up The Killers' Sam's Town on Friday. I've been meaning to since, I don't know, October Third, maybe. (Yeah, who gets that joke? No one. Good.) As I've already told you, I rarely get over to FYE, but if this is where the bar is set for 2007... everyone else has problems.
Sam's Town: It's got a lot going for it. Sets the album up and wins.
Enterlude: I've said it before and I'll say it again. An intro
track can make or break an album. I love them. And this has that in
spades. (The highest suit. Har har I know how to play Bridge now. It's
a skill.)
When You Were Young: Usually a fancy pants single is all frills
and fluff to get it onto the Billboard charts. This gets on the
Billboard charts anyway. Do your math.
Bling (Confession of a King): Worst track on the album. It's awesome. Do your math again.
For Reasons Unknown: It's got this quirky underbeat to it that's almost country sounding. For those of you that don't know, I like quirky.
Read My Mind: Solid, although it's kinda similar to For Reasons
Unknown. Also, that little ...noise he makes at the end is just
annoying. It's the third single, so look for it after Bones gets off
the airwaves.
Uncle Jonny: The lyrics are semi-forgetable, but that's only
because of the mind blowing instrumentals. The radical shift two thirds
in is a nice switch, though.
Bones: Yeah, that is as phallic as it sounds. Come hear and let me run my bones on your bones. Rawr. Wait, music? Yeah, s'alright.
My List: If you were waiting for another All These Things That I
Have Done, you've made it. The lyrics are repetitive as all hell, but
that's okay because they're good.
This River Is Wild: Best. Song. The. Killers. Ever. Did.
Why Do I Keep Counting?: Round out your albums with something soft and sad. Make them miss you. Unless you're a metal band, I guess.
Exitlude: It was certainly a risky move to do a reprise of the
Intro track, but these guys still pull it off. It really fills you up
with nostalgia.
All in all, this is an AMAZIING album. There is not a single point where I said "This could be better." What really interests me is how little it sounds like Hot Fuss. This could be a whole new band if I didn't know better. I've always thought that the synth stuff in Hot Fuss was overdone, and while that's still there on Sam's Town, its always in the back, letting the vocals hammer everything in. Different, yes. Better? Yes.
By the by, this is part one of a Triple Header of music reviews. I snatched up Cake's Pressure Chef
yesterday, and Kazoo Funk Orchestra releases Adventures in Fuzzy Felt
Land on Wednsday, so expect reviews of both down the pike.
So, I was fortunate enough to be tipped off a few weeks ago about an aderbat concert set for the 16th. Having not heard them before, but hearing of them, I figured, why not, and procured a ride. About ten friends and I congregate at the Wildflower Café early (good thing too; the place got packed.) and after the best tuna melt I've ever eaten and some acoustic styling by Wailing Waters we got to hear them.
Needless to say, afterwards I made a point to shake Matt Taylor's hand personally while buying a CD and T-Shirt. Pure love.
Album Breakdown:
Get Out: Just one of the many solid tracks, and a good opener.
Bye Bye: Appearently it's pretty popular, but it's not one of my favorites. Alright, but not great.
Spinning: This, however, I like. A lot. Very airy and carefree. In my top three on the album, to be sure.
Many Ways: Another 'big' song. It's pretty good. Not "floored-me-amazing" but pretty darn good.
Rocks: Sure, it's an interlude, but it's got a good sound anyway. Besides, some of my best friends are interludes.
Come Love: Nice guitar work, and nice lyrics. If they ever get signed it'd make a good single, says me.
Hesitate: One of those song that gets overlooked because it's
similar but inferior to a single. If it was on the opposite side of the
CD I'd call it a B-Side, but that'd be dumb. It's... an A.5 Side.
Pale Drone: ...Next. Serious low point on the album.
I Need Someone: Awesome jazz feel, but not much to make it unique.
Rabbits: Another interlude. This one is pretty eerie sounding. It gives me chills.
Last Dead Honeymoon: Best song on the album. Every piece comes
together perfectly: The stock sounds of crickets and cicadas; the
simple acoustic guitar, and the causticly witty lyrics all work in
tandem for success.
A Star Blew Out: At first I wasn't a fan, but the song does grow
on you. It's different from the other songs, but a good kind of
different. Sadder, for one.
Also, they're a local band which means attendable live shows for me almost twice a month. As stated, pure love.
[Sandgate] updates, you know. Just throwing that out there.
Sand Paladin: Zomg it's an Ants!
Sand Paladin: :O
CharteaxDragonO1: sorry its not.. the computer just keeps signing his AOL back on..
Sand Paladin: ah
Sand Paladin: that's a shame
CharteaxDragonO1: more than that.. he wont be on again.. I hate giving this message out but there is very bad new with Ants
Sand Paladin: oh?
CharteaxDragonO1: yes, very unexpectedly Ants died in his sleep in March
Sand Paladin: ...oh
Sand Paladin: I'm really sorry
CharteaxDragonO1: thanks, we miss him , especially thistime of year
----------------------
This... ....
Listen, I know his away message said so a long time ago, but I don't think anyone believed it then. I mean, first of all, who logs on to their family member's AIM account to put up an obituary? That and the fact that Ants was always sort of wishy washy and would pull a stunt like that.
But... he wouldn't be able to pull this type of thing off for this long. He'd have for forgotten. He was always an idiot like that...
Talking to a live person, it was different. The lack of capitalization, the typos, the lack of ellipsis points. It wasn't Ants. I could tell.
So, I guess this is what I should have done then. I may have put you through the wringer, but you were and always will be one of my closest mates. I'm not going to apologize. I never would have. This is it. So long, you lame-brained-whiney-head-case of a brit. So long...
...Bye, Charteax.
]]>So, last Tuesday or Wednesday (I can't remember these things.) I picked up Give Up, the Postal Service's album. I can't say I'm a fan of Death Cab (Not to say I dislike them, I just can't get into it. They're honestly not bad.) and hell if I've ever heard of Dntel, but together? It's one of the better albums I've picked up this year.
Well, on par with the only other one, at least. I don't get over to FYE often.
Upon popping the disc into my CD Drive and hitting play, I'm greeted by some seemingly random beeps and whistles. At first I wasn't pleased with 'The District Sleeps Alone Tonight's "crescendo" but in retrospect it really does work out for a better sounding album. I'd be much more disappointed if my bounciness was killed mid way through, so getting it out of the way for 'artistic effect' really is a good call. From there, it was all uphill, save for a few snares.
I probably look at an album as a whole more than the average person, and Give Up's biggest bruises come out of track placement. I might be inclined to like "Nothing Better" or "This Place is a Prison" a lot more if they didn't have to come off the two most upbeat songs of the whole group. (Blah blah blah. Yeah, "We Will Become Sillouettes" is about spontaneous combustion, but the tempo, man, the tempo!) The thing is, this isn't some album you can pop in and make lunch to when you're home alone. (A duty The Cloud Room tends to fill all too often.) It's an album you have to listen to. It commands your attention. A rare few crop of music has that effect on me. As an individual breakdown:
The District Sleeps Alone Tonight: Slow to start, but a solid
tune to listen to. I'm probably looking to far into this, but the lyric
"DC sleeps alone tonight." may or may not have a dual meaning. My first
thought was the obvious, "Oh, like District of Columbia. Duh." But
after a few more listens, I figured it could also stand for Death Cab,
as in, like, Ben Gibbard? The singer? I find it cool. Double meanings
are always neat.
Such Great Heights: "Hey, that M&Ms commercial song!" Not
the best of the lot, but certainly worth the listen. The guitar bit 2/3
through is quite the sleek one. Decent.
Sleeping In: Catchy, witty lyrics, fun? What more could I ask for? Quite possibly best song on the album.
Nothing Better: Opposite end of the spectrum. See above for my
theory on this, but I might just plain not like this song. The duet was
interesting, but not a selling point.
Recycled Air: Nice and mellow. I'd maindeck it, but probably not a four-of. Ouch, Magic metaphor. What a nerd I am.
Clark Gable: Just when you think you've got these guys figured out, they whip out hand claps and horns. Refreshing.
We Will Become Sillouettes: With lyrics like "Then our bodies
will explode...and it won't be a pretty site." it's pretty hard not to
grin at this one. I'd love it if this ended up on the soundtrack for a
movie adaptation of Left Behind, since it fits like a glove, but given
Left Behind's backround, it'd be caked with whiny Sonicflood and Kurios
garbage.
This Place is a Prison: I want to like this song, but I just can't get into it. Doesn't suit me, but give it a second chance.
Brand New Colony: This is the song that originally got me into
the band, and even with the competition it holds its own. Feel-good
lyrics and stock sound from NES games is a recipe for success.
Natural Anthem: Pretty much undescribable. Not a high point, but
centainly not low either. It's like the album's Uncle Fester. You
really can't compare it to the others very well.
All in all, it really reminds me of Dresden Codak for some reason. It's just... epic. That's the only word that comes to mind.
Of course, Checkerboard Nightmare always comes to mind when I hear the Talking Heads and Panic! At The Disco gets me thinking about Magic Pengel every time, so don't trust those hunches.
Speaking of Dresden Codak, give that a second look. It's like A Lesson Is Learned, but with punchlines! Amazing, I know!
(When I said less frequent updates, I meant it. No more Eureka Seven one liners, even!)
I miss whore Talhoe.
(There we go!)
[Sandgate]
Upon logging onto Vox, I get this cute little walkthrough. I liked it, it was some pretty helpful stuff.
That said, it looks as though I'm breaking up with Xanga. While I'm pretty much forsaking myself when it comes to commenting, (Seriously, who the fuck has heard of Vox? Besides, like, you. And me.) it's not as though I was a social butterfly over there, either. Once a month I'd get "ZOMGJEFFGUM". I think I'll manage. Plus, video and audio are free! I can't turn that down. While they don't have the option of homemade themes, I like the one I've got, so I'll scrounge through that. (Besides, there's plenty of time to add that feature. That's a nudge, Voxteam. Think it over.)
This is also a prime time to get my blogging in gear. No more weekly one-liner on the cartoons of the week. Less posts, but more meat. A decent rant or two even. Also, Sandgate launches tomorrow, so check back in on that. I'm having serious doubts that I can pull off a comic a week, but we'll at least get out of the gate on time. I hope.
Speaking of which: Vermilion Ending finally dropped! Shido and Lokk are both good chums of mine (And better artists than me), even if the former is a rabid conservative ass-wipe. (I mean that in the best possible way.) I wish them both luck on their venture.
Wow, Spell Check. Swanky.
Pheehee, it told me I forgot to add a title. I could get used to this.